ADOBE ILLUSTRATOR CS6

symbol feature doesn’t exist in version 8. The visual appearance is correct, but the art isn’t editable as a symbol anymore.Because of the huge advancement in technology of the text engine intro-duced in Illustrator CS, text isn’t compatible with versions of Illustrator before Illus[r]

Adobe GoLive CS2 Classroom in a Book Nov 2005 Adobe GoLive CS2 Classroom in a Book Nov 2005 Adobe GoLive CS2 Classroom in a Book Nov 2005 Real World Adobe Illustrator CS2 Nov 2005 Real World Adobe Illustrator CS2 Nov 2005 Real World Adobe Il[r]

10copying art with transparency to the clipboard or when exporting fi les to formats that don’t support transparency.Type Options. This pane contains several important settings for how text is used in Illustrator. You can specify the language for the fi le and how double and single quote marks[r]

is a single encoding that can be used to describe every single character, in any language, on any computer platform. The text engine that was intro-duced in Illustrator CS uses Unicode, and if you use Unicode-compliant fonts to create your documents, you can pass your documents across the wor[r]

line up perfectly at the cor-ners of a path.GETTING INSPIRED WITH COLORWhen you’re working on creative projects, sometimes you are told which colors to use by the client directly (in the case of established corporate col-ors), a creative director, or maybe even a fashion designer in Paris. Other tim[r]

“What the search command does is  rst look for a swatch starting with the characters you type. For example, if you type lo, it will  rst look for colors starting with lo, such as Loden Green. But if it  nds none, it will then look for the  rst swatch name containing lo and will match Yellow.“Cha[r]

Getting Illustrator Artwork Into PhotoshopUsing Adobe® Photoshop® 4.0 & Adobe® Illustrator® 7.0by Luanne Seymour CohenGetting Illustrator Type into PhotoshopCreate your type in Illustrator first so you can use Illustrator’s kerning and editing[r]

tool is easier to use to create paths, it’s not as easy to create exact or precise paths with it. However, if you have a pressure-sensitive tablet available, the Pencil tool is a bit easier to control.For technical drawing and precise illustration work, including logo creation and letterforms, you’l[r]

with the handle—it’s the right tool, but it’s being used in the wrong way.While we’re discussing hammers, let’s consider their function in producing string art. When you create a piece of string art, you fi rst start with a piece of wood, and then you hammer nails part of the way into it, leaving eac[r]

Targeting, on the other hand, is an action that is used to de ne a set of criteria speci cally to apply an attribute such as a stroke, a  ll, a transparency setting, or a live e ect.If you look at the Tools panel, though, you’ll  nd a Selection tool, but you won’t  nd a Targeting tool. Why? Th[r]

effect has the ability to map 2D artwork onto the surface of 3D objects. Artwork that will be mapped onto a 3D surface must fi rst be defi ned as an Illustrator symbol.• The 3D effect in Illustrator is self-contained. Because 3D in Illustrator is an effect, it applies to particula[r]

of modes, including Add, Subtract, Intersect, and Exclude—the same functions (with similar names) in the Path nder panel in Illustrator.These objects are interchangeable between Illustrator and Photoshop, and they retain their shape mode set-tings in the process as well. Create a comp[r]

elements to export as static layers.For an in-depth discussion of how you can create great-looking SWF fi les, including adding interactive hotspots and animations, refer to Chapter 13.The Joint Photographic Experts Group (.jpg) FormatAn extremely popular raster-based format, JPEG fi les are used main[r]

• PDF/X-3:2002. In recent years, print service providers have been adopting color management technolo-gies to o er better color matching. Rather than converting images to CMYK early in the process, in a color-managed work ow you can have images remain in RGB and tag them with pro les that allow c[r]

Working with TextAs you learned in Chapter 8, “Working with Typography,” Illustrator has sophisticated type controls and features. However, when developing Flash content, text can also be interactive. Rather than waiting to add that interactivity in Flash, you can specify interactive text for[r]

work done, but sometimes its overzealousness gets in the way. By default, when you move your pointer over an existing path with the Pen tool, Illustrator thinks you want to add a point to the existing path and con-veniently switches to the Add Anchor Point tool. This is great, unless, of cour[r]

will also learn how both Photoshop and Illustrator can work together by enabling you to share editable content between them. You can then focus on producing the kinds of graphics you need by relying on the strengths of each of these powerful applications.So, turn up the music and feel the pul[r]

In the business world, there’s a saying that goes like this: “We offer excel-lent service, exceptional quality, and cheap prices—pick any two out of the three.” You can apply a similar saying to web graphics; it would sound something like this: “There’s color, quality, and fi le size—pick any two out[r]

332To change a tab from one style to another, choose a tab stop and then click the Tab style button you want to use for the tab stop. To deselect all tabs, click in the area to the right of the Tab position box. (If you don’t click far enough away from the Tab position box, you end up changing the u[r]

trình học các học viên đã có thể trải nghiệm với dự án thiết kế đồ họa, website, đa truyền thông KHUNG CHƯƠNG TRÌNH Stt Tên môn học Thời lượng 1 Mỹ thuật ứng dụng 24 2 Adobe Photoshop 30 3 Adobe Illustrator 30 4 Ý tưởng và giải pháp thiết kế 39 ĐỒ ÁN TỐT NGHIỆP (Final Project)[r]