THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 6 PPT

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The Adobe Photoshop CS5 Book for Digital Photographers part 6 ppt

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 6 PPT

If you don’t like its tonal corrections, then you can just click on the Default button, which appears to the right of the Auto button (the Auto button will be grayed out because it’s already been applied).If you’re not quite comfortable with manually adjusting each image,[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 38 pot

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 38 POT

orientation by clicking on the Portrait and Landscape Orientation icons to the right of the Print Settings button (as shown here).Okay, so at this point, you’ve set Photoshop to the proper color space for the type of photo you’re going to be printing[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 24 potx

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 24 POTX

the Fill Light, (2) increasing the Blacks, (3) increasing the Clarity a lot, and (4) lower-ing the amount of Vibrance to get a bit of a desaturated look. Here are the settings I used on this image: Fill Light at 68; Blacks at 44; Clarity at +100; Vibrance at –47.If[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 20 pot

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 20 POT

then, you know and I know she would have changed it to read “Motley Crew,” just like she referred to the song “Walk This Way” as being performed by Arrow Smith. (Kidding, Kim. Just a joke. Really!) Download from www.wowebook.comptg176 Chapter 7 How to Create Stunning B&W ImagesThe [r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 21 doc

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 21 DOC

ptgSCOTT KELBYSCOTT KELBY189Chapter 7The Adobe Photoshop CS5 Book for Digital PhotographersHow to Create Stunning B&W ImagesI saved this for the last page, because I wanted to share all my favorite techniques for doing B&W using[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 23 pptx

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 23 PPTX

the effect will be (here, as an example, I dragged 9 pixels, and you can see a glow appearing around the edges of the boat). When you’re done, click OK.Although I cover High Pass sharpening in the sharpening chapter, I thought it was important to include it here, as well,[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 26 doc

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 26 DOC

here on location with a busy, and fairly unattractive, background).Shooting at a wide-open aperture (like f/4, f/2.8, or f/2, etc.) is very popular with outdoor portraits, because it creates a very shallow depth of field, putting the background out of focus, which adds separation and helps yo[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 27 pot

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 27 POT

ptgContinued241Chapter 9Fixing Common Problems The Adobe Photoshop CS5 Book for Digital PhotographersContinuedStep One:Before we get into this, make sure you read the short intro up top here first, or you’re going to wonder what’s going on in Step Two[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 19 pps

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 19 PPS

be able to drag-and-drop the adjustment layer if you’re working in the Application Frame, so be sure that you’re viewing your photos in floating windows.)BeforeAfter Download from www.wowebook.comptg165Chapter 6Color Correction SecretsThe Adobe Photoshop CS5 Boo[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 16 pps

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 16 PPS

choose Image Size. When the Image Size dialog appears, in the Pixel Dimensions section at the top, to the right of the Width field, you’ll see a pop-up menu where Pixels is chosen (if this section isn’t active, turn on the Resample Image check-box at the<[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 13 pptx

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 13 PPTX

ishes, so zoom in tight on an area where you see some, and then get the Spot Removal tool (B; its icon looks like a brush with sparkles around it, and it’s circled here in red). This brings up the Spot Removal options panel, and the only thing you need to do here is make sure

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The Adobe Photoshop CS5 Book for Digital Photographers part 15 ppsx

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 15 PPSX

130 Chapter 5 How to Resize and Crop Photos The Adobe Photoshop CS5 Book for Digital PhotographersStep Five:Here’s the Image Size dialog for our source photo, and this time I’ve lowered the Resolution setting to 180 ppi. (Again, y[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 17 potx

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 17 POTX

that some companies do with their product names, so someone not paying close attention might, for example, buy a Buckstar bag of coffee off the grocer’s shelf, when they thought they were buying Starbucks, because of the sound-alike name and the package’s similar look and[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 18 potx

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 18 POTX

Advantage Two: Built-In Masks Each adjustment layer comes with a built-in layer mask, so you can easily decide which parts of your photo get the adjustment just by painting. If you want to keep an area of your photo from having the adjustment, just get the Brush tool (B) and pai[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 28 doc

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 28 DOC

ptg251Chapter 9Fixing Common Problems The Adobe Photoshop CS5 Book for Digital PhotographersContinuedStep One:Here’s the image we’re going to work on, and if you look at her eyes, and the eye socket area surrounding them, you can see that they’[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 36 pps

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 36 PPS

to accentuate the edges in the photo, and making those edges stand out can really give the impression of mega-sharpening. I start by dragging the Radius slider all the way to the left (everything turns gray onscreen), then I start dragging it over to the<[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 34 pot

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 34 POT

want tall instead, you can flip it, then finish dragging it out).313Chapter 10Special Effects for PhotographersThe Adobe Photoshop CS5 Book for Digital PhotographersPhotoshop Killer Tips Download from www.wowebook.comptgPhoto by Scott Kelby Exposure: 1/1250[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 35 docx

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 35 DOCX

too far). If you’re uncomfortable with creating your own custom Unsharp Mask settings, then start with this: pick a starting point (one of the set of settings I gave on the previous pages), and then just move the Amount slider and noth-ing else (so, don’t touch the Radius[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 33 docx

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 33 DOCX

here, encompassing as much of the pano as possible without leaving any gaps). Download from www.wowebook.comptg306 Chapter 10 Special Effects for PhotographersThe Adobe Photoshop CS5 Book for Digital PhotographersTIP: Why Make Panos with Photo-merge I[r]

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The Adobe Photoshop CS5 Book for Digital Photographers part 37 ppt

THE ADOBE PHOTOSHOP CS5 BOOK FOR DIGITAL PHOTOGRAPHERS PART 37 PPT

Official Board of Resolution Standards, this is the type of thing that gets argued endlessly in online discussion forums. That being said, I take the word of my friend and fellow photographer Dan Steinhardt from Epson (the man behind the popular Epson Print Academy), who[r]

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